Magdalena Lorenz

Vita

When a narrative shatters, doors open, the ground is pulled away, the ceiling lifts off: crumbling narratives about the world that is so-and-so, music that has to sound this way, and me that is like that; best described with three words. Only in the disruption becomes visible what lies beyond, inbetween, behind. Something that is unpredictable, not chaotic, colourful, deep, not to be grasped by thought. Music can try to touch it.
// Violin: University of Music and Dance, Cologne  
// Cultural Studies: Humboldt University, Berlin
// Tonali Stage Academy, Hamburg
// Topics: Power, Space, Dying

2023
>Techernofix - a performative exploration of Greenwashing and Earth Grief // Reeperbahnfestival Hamburg // Louis Voelkel, Ilja Gussarov and more
>Mythologica 5 by Tri:utopie // Felix Festival Kölner Philharmonie
>on Tour with AnnenMayKantereit
>MOMO - deep listening. Concert Performance // TONALi
2022
>Tri:utopie is Prizewinner of HUGO Competition // Montforter Zwischentöne
>Wolkentraum - a utopian festival with interdisciplinary art and social institutions. Concept and realization together with 10 students.
2021
>Kora. Konzert einer Koralle. Concert Performance with students. Ableton live, texts, J.S. Bach and Video. // TONALi
>Echo chamber of solitude. Audio installation in a bunker, movement, improvisation, video  // BOA Aachen
1998
born



Schools: 
Humboldt Universität, Berlin
Stage academy TONALi,
Hamburg Hochschule für Musik und Tanz, Cologne

Learning with:
Myself, Daniel Austrich, Daniel Rowland, Gilles Apap, Adelina Oprean (classical), Frank Gratkowski, Paulo Álvares (improvising), Richard Gwilt (baroque)
Mindful Music Making
Art of Hosting
Deep listening
Soil, Fermentation and Seeds

Readings I want to recommend:
Staying with the Trouble, Donna Haraway
The Mushroom at the End of the World, Anna Lowenhaupt Tsing
The Undercommens. Fugitive planning and black studies, Stefano Hareny & Fred Morton
The Carrier Bag Theory of Fiction, Ursula K. Le Guin
 

Magdalena Lorenz